Heard Around Town

Location: Wendy's, Main St just west of Mercedes, Norman OK
Time: Mon 24 Dec, approximately 3:15 PM
Heard: rockabilly take on 'Red River Valley' featuring psychedelic organ

Also spotted today at Norman's Barnes & Noble: a prominently displayed "Relationships for Dummies" in the Sports book section, possibly by a disgruntled wife, girlfriend, or mistress.

Best to you over the holiday season. Look for the first installment of a 2007 music review later this week.

Heard Around Town

Location: McDonald's, NW corner of Porter and Robinson, Norman OK
Time: Sat 15 Dec, approximately 6:00 PM
Heard: lite-jazz version of Tower of Power's "Don't Change Horses (In the Middle of a Stream)"

Ethiobirds

mp3: Andrew Bird - Ethiobirds

Andrew Bird is probably the only artist whom I would be willing to give my attention for a ten and a half minute violin instrumental. If you are not so generous, that's completely understandable; I've just been captivated by this song recently and wanted to get some quick thoughts out there. If you're willing to give it a shot (and I hope you are), it's probably best to get some headphones and really concentrate on it.

"Ethiobirds" is from his Fingerlings 3 album, released in 2006 and the (obviously) third in a series of live collections. This track was recorded in his barn studio in rural Illinois, using a looping device which allows him to record a few lines and then play them back as long as is needed to create layers and layers of sound using just one instrument. It's a tough concept to describe (at least for me), but I think when you listen it will become pretty clear. He uses this method extensively in his live shows.

Mr. Bird sets things up by creating a nice little almost-rollicking groove with some pretty picking. At 1:23, he brings in more emotive, swooping lines that undulate in intensity and ride nicely along the staccato base. But things really start getting good around 5:03 where achingly beautiful phrases float above the still chugging beat. This gradually builds into a seriously gorgeous passage from about 6:40-7:20 that swirls and trills and just plain does it for me. From that apex, a slow fade into a pulsing pedal-effect drone finishes off the song.

I suppose I don't have anything particularly novel to say about this one, but I hope that my gushing helped you appreciate it at least a little more than you would have.